| CAROL MARINE'S PAINTING A DAY 3/4/18 |
| Here's another San Francisco scene. I had originally intended to paint this on a larger panel, but decided to go for brevity instead. I'm liking the brevity thing.
And here's another one from the top of Potrero Hill in San Francisco, this one with a little slice of the bay. I actually scanned this one instead of photographing it, because I got a new scanner and wanted to try it out. I think it turned out pretty great, except you can't see any of the texture of the strokes. Which ... I'm not sure whether I like or don't like yet. The downside is I can't scan a painting until it's dry. The upside is I can scan in a pinch, if I've forgotten to take a picture while the sun is up.
But the primary reason I bought the scanner (an Epson Perfection V600) is for my little abstract collages. After much deliberation, I've decided to offer them framed. I got four of my first ones framed for myself, and I think they look so good like this. This first one is called "Monday". The piece is 6x6in. and the outside of the frame is 13x13in. I'm starting the bidding at $100. (I used acrylic instead of glass for safer shipping, but this can be easily replaced if you want).
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| |  | | My Workshop(s)
July 3-14, '18 - France
I am no longer teaching still life workshops, sorry. : ( |
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