Normally my process for painting a still life is from the inside out (island to ocean) - first I paint the object, then everything around it. But with clear glass, I pretend (for the most part) like it's not there. I paint the background first, and then I paint all the little details that make it look like glass. This works particularly well for plates.
| | |  | My Workshops
2016
May 9-13: Springfield Oregon - register - FULL w/ wait list May 23-27: Springfield Oregon - register October 17-21: San Antonio, TX - register - FULL w/ wait list Also check out my ArtBytes (online tutorials), and instructional book, Daily Painting, available on Amazon:
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